just a reader.

January 8, 2006

Lewis felt the first blue tendrils tugging at his knees. Following the unhappy logic of such states, the mood became its own cause. The evening after he left Wheeling, he too sharply reprimanded his corporal for having failed to secure bread in the town. When he sent the man back the six miles to get it, and the damned felow was late on his return, Lewis began to fear he had deserted out of pique. This provoked the usual self-reproaches about Lewis's limitations as a leader, his aloofness, etc. When the corporal did return, Lewis felt grateful to him, which grossly unmilitary sentiment provoked additional self-reproaches about his womanliness, his mercurial temperament, etc. etc.

Beyond a certain point, those etceteras would begin to breed like vermin. Lewis fought against it. He sent himself the task of describing an artificial Indian mound, a few miles downriver from Wheeling. But while at the site, he hadn't enough time to do more than begin his description, so he left the pages blank in his notebook. Then he never filled them. He did write scientifically about the contrary wind; he noted the incidence of goiter in a certain neighborhood; but those five empty pages were a nightly rebuke. A journal, it seemed, was a record of what Lewis didn't think, what Lewis didn't do. Then one morning, journalizing became another thing that Lewis didn't do.

Brian Hall, I Should Be Extremely Happy In Your Company.

January 08, 2006 in Now reading... | Permalink | TrackBack (1)

July 23, 2005

'What was that thing the organist played when we went up?' Malcolm asked. 'Rather a nice tune, I thought.'

'It sounded like Hiawatha's wedding feast,' said Rhoda in a worried tone, 'Coleridge Taylor, you know. But I don't think it could have been that.'

'Mr. Lewis was improvising,' said Mrs. Swan. 'There were nearly a hundred communicants, I should think, and I dare say his thoughts wandered. I suppose the music wasn't really so very unsuitable, in a way; many Indians are Christians, aren't they?'

'These were Red Indians, surely,' said Malcolm.

They seemed to be getting into rather deep water, so Mabel changed the subject by mentioning that there was to be a procession at the eleven o'clock service.

Barbara Pym, Less Than Angels.

July 23, 2005 in Music, Now reading... | Permalink | TrackBack (0)

July 18, 2005

Jean-Pierre leaned back in an arm-chair, eyes closed and finger-tips joined in a prayer-like attitude, listening to the jazz as if it had been Bach.

Barbara Pym, Less Than Angels.

July 18, 2005 in Music, Now reading... | Permalink | TrackBack (0)

July 17, 2005

He often thought what a good thing it would be if the wearing of masks or animals' heads could become customary for persons over a certain age. How restful social intercourse would be if the face did not have to assume any expression - the strained look of interest, the simulated delight or surprise, the anxious concern one didn't really feel. Alaric often avoided looking into people's eyes when he spoke to them, fearful of what he might see there, for life was very terrible whatever sort of front we might put on it, and only the eyes of the very young or the very old and wise could look out on it with a clear untroubled gaze.

Barbara Pym, Less Than Angels.

July 17, 2005 in Now reading... | Permalink | TrackBack (0)

July 12, 2005

'I don't feel like an egg,' said Deirdre unhelpfully. ' I'd like something different.'

There was an expectant silence round the table.

'Some rice, all oily and saffron yellow, with aubergines and red peppers and lots of garlic,' went on Deirdre extravagantly.

Barbara Pym, Less Than Angels.

July 12, 2005 in Menus, Now reading... | Permalink | TrackBack (0)

July 11, 2005

She sometimes felt, as she climbed the worn linoleum-covered stairs, that she was worthy of a more gracious setting, but then there are few of us who do not occasionally set a higher value on ourselves than Fate has done.

Barbara Pym, Less Than Angels.

July 11, 2005 in Now reading... | Permalink | TrackBack (0)

Now reading: The Confidence of British Philosophers: An Essay in Historical Narrative, Arthur Quinn

Humanistic histories are often accused of being popular, rhetorical, and sententious by those proud of histories that are esoteric, indifferent, and amoral. These accusations are accurate, only they should be perceived as praise.
From the Preface.

August 31, 2004 in Now reading... | Permalink | TrackBack (0)

Still reading...The Book of Laughter and Forgetting

Through the ten years of his illness Father worked steadily on a long study of Beethoven's sonatas. He wrote somewhat better than he spoke, but even while writing he would suffer more and more memory lapses until finally no one could understand the text—it was made up of words that did not exist.

Once he called me into his room. The variations from the Opus 111 sonata were open on the piano. "Look," he said, pointing to the music (he had also lost the ability to play the piano), "look." Then, after a prolonged effort, he managed to add, "Now I know!" He kept trying to explain something important to me, but the words he used were completely unintelligible, and seeing that I didn't understand him, he looked at me in amazement and said, "That's strange."

I knew what he wanted to talk about, of course. He had been involved with the topic a long time. Beethoven had felt a sudden attachment to the variation form toward the end of his life. At first glance it might seem the most superficial of forms, a showcase for technique, the type of work better suited to a lacemaker than to Beethoven. But Beethoven made it one of the most distinguished forms (for the first time in the history of music) and imbued it with some of his finest meditations.

True, all that is well known. But what Father wanted to know was what we are to make of it. Why did he choose variations? What lay behind his choice?

Milan Kundera, The Book of Laughter and Forgetting.

August 22, 2004 in Now reading... | Permalink | TrackBack (0)

Still reading...The Book of Laughter and Forgetting

Circle dancing is magic. It speaks to us through the millennia from the depths of human memory. Madame Raphael had cut the picture out of the magazine and would stare at it and dream. She too longed to dance in a ring. All her life she had looked for a group of people she could hold hands with and dance with in a ring. First she looked for them in the Methodist Church (her father was a religious fanatic), then in the Communist Party, then among the Trotskyites, then in the anti-abortion movement (A child has a right to life!), then in the pro-abortion movement (A woman has a right to her body!); she looked for them among the Marxists, the psychoanalysts, and the structuralists; she looked for them in Lenin, Zen Buddhism, Mao Tse-tung, yogis, the nouveau roman, Brechtian theater, the theater of panic; and finally she hoped she could at least become one with her students, which meant she always forced them to think and say exactly what she thought and said, and together they formed a single body and a single soul, a single ring and a single dance.
Milan Kundera, The Book of Laughter and Forgetting.

August 19, 2004 in Now reading... | Permalink | TrackBack (0)

Now reading: The Book of Laughter and Forgetting

People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.
Milan Kundera, The Book of Laughter and Forgetting.

August 17, 2004 in Now reading... | Permalink | TrackBack (0)

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